Selasa, 28 Oktober 2014

[E240.Ebook] Free PDF Sedimentary Environments and Facies, by H. G. Reading

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Sedimentary Environments and Facies, by H. G. Reading

  • Sales Rank: #13275523 in Books
  • Published on: 1978
  • Format: Import
  • Original language: English
  • Binding: Hardcover
  • 576 pages

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Kamis, 23 Oktober 2014

[E761.Ebook] PDF Ebook A Nightingale's Lament: Selections from the Poems and Fables of Parvin E'Tesami (1907-41)From Mazda Pub

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A Nightingale's Lament: Selections from the Poems and Fables of Parvin E'Tesami (1907-41)From Mazda Pub

  • Sales Rank: #3680359 in Books
  • Published on: 1985-04
  • Original language: English
  • Dimensions: 8.00" h x 5.25" w x .75" l,
  • Binding: Paperback

Review
The Ant And The Elephant
The Aspen's Complaint
The Bean And The Pea
Black And White
Body And Soul
Bozorgmehr And Anushirvan
The Broken-hearted Child
The Candle And The Moth
Cat And Mouse
The Cat And The Dog
Charcoal And The Beetle
A Child's First Steps
The Comb And The Mirror
The Diamond And The Purse
The Disgruntled Youth
Divided Labor
The Drunk And The Sober
The Duck And The Fish
A Dust Particle And A Bat
The Eyelash And The Pupil
The Falcon And The Hen
The Fallen Soul
The Flowing River
The Fox And The Hen
The Garlic And The Onion
God's Weaver
The Golden Cage
Grief Of Poverty
The Heart's Blood
The Helpless Hens
Hope And Despair
Itanian Women
The Journey Of A Tear
King Qobad And The Old Woman
The King's Crown
The Lentil And The Vetch
The Lesson Of A Rose
The Lesson Of The Dirham
A Madman And His Chain
The Madman And The Qazi
The Messenger Of Old Age
A Mother's Hopes
A Mother's Sweet Trouble
My Epitaph
My Gift
The Needle And The Shirt
The Needle And The Thread
A Nest
The Nightingale And The Ant
The Nightingale And The Rose
O Laborer!
O Mummy!
O My Cat
The Orphan
An Orphan's Tears
The Pansy
The Parrot's Love Of Sugar
The Pot And The Pan
The Pure Soul
The Qazi Of Baghdad
The Red Dress
The Riddle-solver
The Rose And The Dewdrop
A Ruined Nest
The Sapling And The Sere Tree
The Sea Of Light
The Shepherd And The Wolf
The Snail And The Silkworm
The Snake And The Ant
The Song Of A Grain-collector
A Teardrop And A Gem
The Thief And The Qazi
The Thunderbolt
To My Father
Today And Tomorrow
The Tree Of Hope
Two Drops Of Blood
The Value Of A Pearl
Wishes
The Withered Rose
The Wolf And The Dog
A Woman's Place
-- Table of Poems from Poem Finder®

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3 of 3 people found the following review helpful.
The Emily Dickenson of Iran
By Brian H. Appleton
This poet lived a short life, only 34 years yet she showed a maturity of an ancient soul. She wrote in the tradition of animal parables like Aesop's Fables complete with morals only in poetry..."The Ant and the Elephant," "The Nightingale and the Rose," "The Fox and The Hen."

In this way she could escape censure as she alluded to the political corruption, the disparity between the rich and the poor and the repession of women in the Iran of her day but her poetry also speaks to truths that go beyond nationality and borders to universal experiences of humanity everywhere and in every time. Her poetry is filled with a great awareness of the difficulty of life, the ironies, the pain, the unrequited, the virtues of humility, a certain sadness. "What is the use of straight talk to crooked characters"," The mine of passion contains only rocks whose color and glitter are but deceit and fraud", "Poverty alone diverts us from the straight and narrow, whereas a demon guides the judge through every crooked lane." Heaven will not be affected by our life or death, It is stony-hearted; that is no secret." She is not afraid to tackle the institutions nor the refuge of religion.

She speaks in parables about political corruption, about poverty, about human nature and greed and about what expectations are realistic in life. She speaks of little children orphaned at an early age, old widows inheriting a life of poverty, she speaks of the irony of a hunter shooting a bird, whose children then starve to death. Her writing is not maudlin though and she is self depracating as well, recognizing her own short-comings and worship of false idols.

Her father was the publisher of a literary magazine named "Bahar" (Spring)in Tabriz and she had her first poetry was published in it at the age of 8. She was a child prodegy and her verse was in the Classical style. Her father arranged for her to do poetry readings at age 14 in literary circles. In fact she is considered the greatest contemporary woman poet in the classical style. Little known outside Iran her legacy deserves recognition in the West. I highly recommend this book of poetry for anyone interested in early feminist writing.

0 of 0 people found the following review helpful.
Four Stars
By vahid
etesami's view of human condition

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Minggu, 19 Oktober 2014

[A392.Ebook] Download Jony Ive: The Genius Behind Apple's Greatest Products, by Leander Kahney

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Jony Ive: The Genius Behind Apple's Greatest Products, by Leander Kahney

“Different and new is relatively easy. Doing something that’s genuinely better is very hard.” —Jony Ive


In 1997, Steve Jobs returned to Apple as CEO with the unenviable task of turning around the company he had founded. One night, Jobs discovered a scruffy British designer toiling away at Apple’s corporate headquarters, surrounded by hundreds of sketches and prototypes. It was then that Jobs realized he had found a talent who could reverse the company’s long decline.


That young designer was Jony Ive. 

Jony Ive’s collaboration with Jobs would produce some of the world’s most iconic technology products, including the iMac, iPod, iPad, and iPhone. The designs have not only made Apple a hugely valuable company, they’ve overturned entire industries, built a loyal fan base, and created a globally powerful brand. Along the way, Jony Ive has become the world’s leading technology innovator, won countless design awards, earned a place on the 2013 Time 100 list, and was even knighted for his “services to design and enterprise.”


Yet despite his triumphs, little is known about the shy and soft-spoken whiz whom Jobs referred to as his “spiritual partner” at Apple. Jony Ive reveals the true story of Apple’s real innovator-in-chief.


Leander Kahney, the bestselling author of Inside Steve’s Brain, offers a detailed portrait of a creative genius. He shows us how Jony Ive went from an English art school student with dyslexia to the man whose immense insights have altered the pattern of our lives. From his early interest in industrial design, fostered by his designer father, through his education at Newcastle Polytechnic and meteoric rise at Apple, we discover the principles and practices that he developed to become the designer of his generation.


Based on interviews with Jony Ive’s former colleagues and Kahney’s own familiarity with the world of Apple, this book gives insight into how Jony Ive (now senior vice president of design) has redefined the ways in which we work, entertain, and communicate with one another.

  • Sales Rank: #147813 in Books
  • Published on: 2013-11-14
  • Released on: 2013-11-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x 1.13" w x 6.25" l, 1.20 pounds
  • Binding: Hardcover
  • 320 pages

Review
“An adulating biography of Apple’s left-brained wunderkind, whose work continues to revolutionize modern technology.”

—Kirkus Reviews

About the Author
Leander Kahney has covered Apple for more than a dozen years and has written three popular books about Apple, including Inside Steve’s Brain and Cult of Mac. The former news editor for Wired.com, he is currently the editor and publisher of CultofMac.com. He lives in San Francisco.

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97 of 113 people found the following review helpful.
False Start
By Austin Sweeney
I consider myself a casual Apple historian, in that I am a big fan of Apple’s work and through that interest I have learned a fair amount about their past. It is with much interest that I purchased Leander Khaney’s Jony Ive, a biography of Apple’s famed lead designer. A month ago, I linked to an excerpt about the beginnings of the first iPhone. It is quite good and had me excited to read the rest of the book. Unfortunately (but not unexpectedly) this was the best portion of the book by far.

I was not turned off by the entire book[1]. The beginning, which talks about Ive’s education and work before Apple is informative, telling a story I doubt many are familiar with. Khaney’s descriptions of Ive’s early work at Apple were also enjoyable, covering the development of the Newton, the Twentieth Anniversay Mac, and the iMac. Part of me wonders, however, if these sections were more enjoyable only because I am less familiar with those product’s stories already. If I knew more about them, would I have found as many faults with Khaney’s writing as I did with the newer products that I am familiar with?

The book is entirely effusive about Jony Ive, to the point of being annoying. The hockey puck mouse that shipped with the original iMac is only gently derided, and Ive’s tendency to supplant form over function is likewise given a pass. This gushing attitude hits its high in the final chapter, where credit for the success of the iPod, iPhone, and iPad is seemingly given entirely to Ive:

> The iPod was a product of Jony’s simplification philosophy. It could have been just another complex MP3 player, but instead he turned it into the iconic gadget that set the design cues for later mobile devices. Two more delightful innovations, the iPhone and the iPad, were products of thinking differently, of creative engineering at work in rational problem solving on many levels.

Khaney repeatedly gives total credit for these products to Ive, which is ridiculous. Even the subtitle of the book is “The Genius Behind Apple’s Greatest Products”. Not some of Apple’s greatest products, not a genius: he is the genius behind all of Apple’s greatest products. Ridiculous. All of the products Ive has worked on at Apple have been the result of massive team efforts of which Ive was only a single part. In many cases he was pivotal, but he was not the only pivotal person.

Regarding the iPod, Khaney even acknowledges that Ive did not have nearly as much control as with later devices. Khaney says that the idea for it came from Rubinstein (SVP of Hardware) and Fadell (Ruby’s understudy), the scroll wheel interface came from Schiller, and that Ive was only told about the project when they handed him the components of a finished unit and asked him to wrap it up in a pretty case.

The struggle between designer and engineer comes up a lot in the book. During Steve Jobs’s first reign at Apple, particularly in regards to the creation of the original Macintosh, design led engineering. Following Jobs’s departure, engineering took over and designers were forced to build pretty boxes around whatever engineering sent their way. When Jobs returned, things flipped back: designers came up with a product, and the engineers had to meet the constraints of the design. Understanding that, you’ve grasped a majority of what Khaney says about design in Jony Ive. That struggle is brought up so many times throughout the biography that I got irritated while reading whenever Khaney indicated he was about to go off on that tangent again.

Even more frustrating was when Khaney would spout things that were incorrect and/or idiotic. Again from the last chapter we get this nugget:

> Before he died, Jobs revealed the degree to which he empowered Jony inside the company. “He has more operational power than anyone else at Apple except me,” Jobs said. “There’s no one who can tell him what to do, or to butt out. That’s the way I set it up.”

> Jobs didn’t explain exactly what he meant. According to Apple’s organization chart, Jony reports to Cook; yet, according to Jobs, Cook can’t tell him what to do.

Khaney, you’ve left out one important detail: Steve Jobs is dead. Tim Cook is CEO, and he can absolutely tell Jony Ive what Jony Ive can and can’t do at Apple. Whether or not it would be wise of Tim Cook constrain Ive is a different question, but the notion that he can’t just because Steve Jobs said so is absurd.

In his chapter on the iPad, Khaney says:

> In March 2012, Apple followed up with the third-generation iPad, which added a high-density retina display, a faster chip and better cameras. In October of the same year, the fourth-generation iPad was launched with a much faster processor and cell connection, as well as a tiny lightning connector to replace the original thirty-pin connector…

Two things. First, the third-generation iPad added LTE networking, not the fourth. This is a small mistake, but it’s embarassing. These little details are the easiest to research and get correct, and we’re trusting this man to have done extensive research into a very secretive company. If he can’t get the small, public, obvious facts right how are we supposed to trust the rest of it? Second, that paragraph contains the only mention of the lightning connector, the design of which is an important recent design that, as John Gruber put it, “epitomizes what makes Apple Apple”. Did Ive have nothing to do with it? In this book we’re led to think so.

This biography leaves out a lot that I wanted to know. iOS 7, arguably the most important product Ive has worked on since the first iPhone, is covered only briefly at the very end. It is generally summarized and lauded[2] without any detail behind the events besides letting us know that Scott Forstall was actually fired, despite what Apple PR claiming he stepped down. Yeah, we already knew that. I wanted new information, not the same stories I’ve seen in the news for the past year. It’s hard to completely fault Khaney for this since all of it is so recent; it’s difficult to find sources for anything inside Apple, and probably impossible to get any behind-the-scenes accounts from the past year.

We can fault Khaney, however, for spending so much time off the topic of Jony Ive the man. There is much discussion of Steve Jobs, who was very important to Ive but not unfamiliar to anyone reading this biography. In fact, most who read Jony Ive will have read Walter Isaacson’s official biography of Steve Jobs, a text that Khaney cites numerous times. Later, there is far too much discussion on Apple’s stock prices and the post-Steve Jobs era of Apple. I picked up this book because I wanted to learn about Jony Ive and his design process and the stories behind my favorite Ive designs, not to hear someone else predict the future of Apple. In his final paragraph, Khaney actually calls on Jony Ive to reinvent Apple’s design language. Apparently it’s become “predictable”. You know, I was just thinking about how everyone more or less predicted exactly how iOS 7 would look.

All of this, to me, points to the unmistakable fact that this biography is premature. The products that Khaney goes in-depth on are older and less interesting. Ive is far from done and I hope his best work is still ahead of him. At the very least, his best work is his current work, and we won’t learn the stories behind these products for several more years, maybe a decade. Only then could we get a proper biography. You can safely ignore this one.

[1]: Actually, the book itself is sort of gross-looking. The line-spacing is too tall and the text is set in an unappealing serif (the apostrophes and quotation marks are particularly unsettling) with headings in Avenir Next. Sans-serifs should never be used in printed books. In the case of Jony Ive, the use of the sans-serif combined with weird gray lozenges and pullquotes at the beginning of each chapter give the impression that this book belongs in an elementary school classroom. It’s an odd, almost intangible effect but I was not the only one who noticed it. I somehow doubt Jony Ive would be happy with his biography looking like this.

[2]: Khaney spends one paragraph noting iOS 7’s dedication to typography through the use of Helvetica Neue. He does not specify Helvetica Neue Light, and his writing indicates that he has no idea Helvetica Neue has been the system font on iOS since it went retina.

(review originally posted on my website, defomicron.net)

29 of 35 people found the following review helpful.
Could have used bit more on the I in Apple ID
By Vinnie Mirchandani
I was excited to see a book on Jonathan Ive, the head of Industrial Design at Apple. He is a living legend – with the Queen’s knighthood no less - with the string of runaway hits Apple has had. Stories abound of how the finer things in life from forging of samurai swords to examples from marine biology influence his design thinking. Author Leander Kahney summarizes his enduring legacy with this comment “(Ive) introduced the concept of fashion to an industry previously preoccupied with speeds and feeds”

I was also a bit concerned Kahney would fall into traps authors often fall into when they profile tech executives as I wrote recently – speculation without direct access to the subject, and a chronological version of the subject’s life. Kahney does but it does not affect this book as much. He focuses more on the huge product hits – the iMac, the iPod, the iPhone and iPad and uses his long term watching of Apple (he publishes the Cult of Mac) to use alumni and other contacts to weave enough of Ive into the descriptions. And unlike Walter Isaacson with Steve Jobs, he does not focus much on Ive’s youth other than to show the influence his dad and his consulting days in the UK had on his aesthetic sense.

There is plenty of detail to savor – like the Daler Rowney sketchbooks preferred by the ID team, Bondi Blue translucence of the first iMac and Ive's minimalist stamp on the new iOS7. Apple fans will particularly relish these details of two decades of products they have enjoyed. Personally, I liked the design culture Kahney describes that Robert Brunner, IDEO, frog and others brought to the Valley in the 90s that have reshaped so many of our devices since. I also liked the fact he invokes anecdotes from auto, furniture and other product design from Italy, Japan and elsewhere.

I would have liked to seen more on the “industrial” part of ID. The marvel of Apple is it can scale to millions of units within weeks of launch of what appear to be complex, lovingly man-made products. He talks a bit about the Unibody manufacturing process and the Foxconn contract manufacturing role but the majority of the focus is on individual product features.

I also thought there is some hero worship where he describes Ive as irreplaceable at Apple, even more than Jobs was. Apple is a multi-dimensional phenomenon with its retail store experience, its massive apps ecosystem, its impressive supply chain and memorable marketing all as important as the product elegance.

Overall, though I found it an enjoyable read. He fills in some of the gaps in other recent books about Apple. This comment in the chapter detailing the super secret ID studio is telling: “Walter Isaacson was given a tour (of the studio) but he only described the presentation tables in his biography of Jobs”

37 of 48 people found the following review helpful.
Terrible
By M.C.C.
Listen, if you want to know about Apple and Jony Ive read Steve Jobs by Walter Isaacson. Kahney offers limited to no new insight in this book but manages to stretch out his non-point of view and lack of new information into a full length book. Looking through his copious citations in the back of the book, it is clear that Kahney saw an opportunity to make money and basically compiled a book report of everyone else's work into something resembling a biography.

Furthermore, the presumable purpose of the book is to document Ive's life and rise to fame. Unfortunately, the second half of this literary waste of time is almost exclusively devoted to a play by play of Apple's corporate history with a heavy emphasis on Steve Jobs and internal Apple politics.

Finally, Kahney is just a bad writer. On top of basically copying everyone else's existing work, he does so poorly. His prose is legitimately composed at a high school level with no consideration for style or grammatical structure. At numerous points throughout the book, I found myself rereading whole sentences because they just did not make sense or were written in the most awkward way imaginable.

Avoid this. I forced myself to read the whole thing because I was hopeful that it would get better. It did not.

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Senin, 13 Oktober 2014

[Y905.Ebook] Download The Dow Theory Today, by Richard Russell

Download The Dow Theory Today, by Richard Russell

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The Dow Theory Today, by Richard Russell

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The Dow Theory Today, by Richard Russell

A collection of articles written for Barron's. Some of the articles pertain to general Dow Theory or to market history as interpreted under Dow's Theory.

  • Sales Rank: #1181258 in Books
  • Brand: Brand: Snowball Publishing
  • Published on: 2012-09-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .28" w x 5.98" l, .40 pounds
  • Binding: Paperback
  • 130 pages
Features
  • Used Book in Good Condition

About the Author
Richard Russell is an author and owner of Reminiscing Books. He has a 2009 Special Recognition from the WNC Historical Association as well as being the 2009 Thomas Wolfe Memorial Literary Award recipient.

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22 of 22 people found the following review helpful.
A vital book for investors
By Charles Pettis
The percentage of people investing in the stock market is at an historical high, yet few people understand that the markets rise and fall in definite patterns. These patterns are explained by Dow Theory, devised by Charles H. Dow who was the founder of the still famous Dow averages. The leading Dow Theory practitioner of today is Richard Russell (...). Richard Russell wrote this little book in 1961 about the stock market from 1958-1960. His commentary about this period in stock market history is directly applicable to today's stock market situation. This book teaches the difference between a bull and bear market, proven over a century of stock market statistics.

19 of 21 people found the following review helpful.
Good introduction to Dow's Theory
By Michael Goode
Richard Russell is one of the few 'old fogeys' (as Mark Hulbert likes to say) still analyzing the market who went through the last market top and then the 70s bear market. This book is a collection of a series of articles Russell wrote between 1958 and 1960, in which he successfully predicted that in 1958 the bull was still alive, and in 1960, that the bear market had started. This is a small book, concise, and is a good introduction to Dow's Theory--a method for timing the markets.

Russell is still writing ([...]) on the market. He is often dismissed as a perma-bear these days (he has been consistently bearish from 1999 till now, 2005, and says that the bull market of the last two years was only a temporary correction of a huge secular bear market), but seeing his earlier courageous call of the bull market continuation in 1958 is one reason I pay attention to him, and to the Dow Theory in general.

For those who haven't heard of it, Charles Dow came up with a method for timing the markets. His successor at the Wall Street Journal, William Peter Hamilton, revised this method, and since then it has changed little. Unless you are a masochist, avoid Hamilton's book. Robert Rhea was another Dow Theorist and his book is another one that might be of interest. The key to Dow Theory is watching the movement of the stock averages, and everything that is useful will be reflected in those movements--knowledge of business, investor psychology, etc. The key is also values--stocks will tend to return to their average historical values (but always overshoot, going from undervalued to overvalued, and vice-versa). Anyway, for more info, read the book.

6 of 7 people found the following review helpful.
Helps You Understand Trends, Tops and Bottoms
By David Rankin
While most investment books cover the importance of trends, this book actually gives you an understanding of the motion of trends and the influence of the larger market represented by the Dow Jones Industrials and Transports.

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Selasa, 07 Oktober 2014

[R821.Ebook] Ebook Small Buried Things (American Poetry), by Debra Marquart

Ebook Small Buried Things (American Poetry), by Debra Marquart

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Small Buried Things (American Poetry), by Debra Marquart

Poetry. Literary Nonfiction. Women's Studies. Pluck, swallow, bury, drive, frack. Debra Marquart's newest poetry ranges from the horrifying reality of Cold War leftovers, the consequences of fracking, and the heartbreak of misguided relationships, to the absurdity of swallowing pennies and finding a grey hair on your chin. Prepare yourself for laughter, shock, and awkward fidgeting with this amusing and touching collection of poetry.

  • Sales Rank: #1449680 in Books
  • Published on: 2015-04-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 6.00" w x .25" l, .43 pounds
  • Binding: Paperback
  • 104 pages

About the Author
Debra Marquart is a professor of English in the MFA Program in Creative Writing & Environment at Iowa State University and an affiliated faculty member with the Stonecoast Low- Residency MFA Program at University of Southern Maine. A performance poet, Marquart is the author of three poetry collections: EVERYTHING'S A VERB (New Rivers Press, 1995), From Sweetness (Pearl Editions, 2002), and SMALL BURIED THINGS (New Rivers Press, 2015). Marquart's work has received a 2008 Prose Literature Fellowship from the National Endowment for the Arts, a Pushcart Prize, the John Guyon Nonfiction Award (Crab Orchard Review), the Mid-American Review Nonfiction Award, The Headwater's Prize from New Rivers Press, the Minnesota Voices Award, the Pearl Poetry Award (Pearl Editions), the Shelby Foote Prize for the Essay from the Faulkner Society.

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0 of 0 people found the following review helpful.
An Interesting Read
By Britta Densmore
(reposted to correct spelling errors)
Small Buried Things is an incredibly varied book of poetry, with serious and emotional poems woven between silly ones that made me vocally giggle. The poems vary in quality as well, if I’m being honest. All of them are at least good enough to avoid feeling cliché; they’re all enjoyable. But there are a handful that go above and beyond that I’d like to touch on. “Door-to-Door” was probably my favorite by far. It was one of the longer poems, but it’s pacing was gorgeous and the set up and delivery of the story was masterful. It was a read that I thoroughly enjoyed from there very first line to last. “Small Buried Things” was also good, though the way spacing was done set me out of the poem the first time I read it, which was a downside. The poems about traveling through the airports felt comfortable and relatable, and her small collection “Whisker Meditations” had me reading the poems out loud to my nearby friend.
Though the poems varied from good to excellent, it’s easy to argue that there were many more poems that fall into the excellent category than there were poems that were merely good. My biggest critique is that the unique spacing in some of the poems brought me out of the mental imagery instead of into it. It worked for the author sometimes, but definitely not every time. My other main critique is her use of the term Ground Zero. While I’m aware this term is used for various things, the mental image it provokes for me at least, is not its original, generalized, meaning and I doubt I’m the only one. Now, I’m not putting this as a critique for any empathetic reason. I’m making this argument because I feel that this terminology causes the poems that use it to lose some of their power. When I read it the first several times, the mental images created were disrupted by burning towers and planes, and I do mean that the images were completely disrupted. It did not add to the severity of the situation in the poem, specifically because it took me completely out of it. This may not be as big of a problem for people of older generations who are used to hearing Ground Zero refer to anything other than 9/11, but for younger generations, the word is somewhat closely tied. Words can paint powerful pictures and can be interpreted many ways, but I feel that this word choice continually chopped into what were otherwise beautiful poems.
All of this said, the poems are definitely the buy and make for a fantastic read. The style and writing is enjoyable and relatable and Debra Marquart is definitely a poet worthy of attention.

0 of 0 people found the following review helpful.
A Collection of Seemingly Random Items.
By Amy B Hjelmstad
The poems that make up Debra Marquart’s Small Buried Things are varying, ranging from reflections on life and love to object analysis to lamentations over the fracking in western North Dakota. With ideas moving in so many different directions it is hard to find a consistent thread that strings these poems together; the book, rather, functions as a curio cabinet which Marquart has filled with a variety of colorful trinkets, each one unique in itself, related to the rest only in proximity of a shared space.

The collection is divided into three sections, the most coherent being Ground Zero, which is thematically linked by the setting: North Dakota. But despite the continuity of this section, it still feels the least connected to its author. Marquart’s pleas for North Dakota to “please, wake up” in “5. Lament” read like a stiff-faced news bulletin when compared to the desperate contemplations and continuous attempts to vanquish a chin whisker described in “Whisker Meditations.”

Poems like “Buoy,” “To The Woman Who Tore The Word “Husband” From The Oxford English Dictionary,” and “Poor You” carry a tone of resentment and victimization that is self-indulgent at best. The trouble with Marquart’s poetry, then, is this: the impersonal feels impersonal, and the personal doesn’t feel universal. That is not to say Marquart cannot write beautifully; the images she creates in many of her poems are rich with color and texture, her metaphors creating familiar images from unfamiliar materials. But the end result is still one of disconnect; an observer momentarily peaking through the glass of the curio at objects another person has collected.

0 of 0 people found the following review helpful.
Jordan's review of Small Buried Things
By FlubberMunky1623
Debra Marquart’s Small Buried Things is a collection of poems vividly chronicling the author’s upbringing in North Dakota.

It is unmistakably clear that the poems themselves were written with pure and honest emotion; her diction is something I found highly definitive, and as a North Dakota resident myself, it is almost impossible for me not to identify with Marquart’s words in the collection’s second act—regardless of my usual aversion to poetry.

However, it was the final section of the book that struck a cord, as it were. I will not ruin it for those who have yet to read this work, but it is here that Small Buried Things is, in this reader’s opinion, the purest.

The book itself brings to mind the structure of an anthology of sorts: Each poem stands on its own and fulfills what it sets out to accomplish, yet by the time the reader finishes the final page, it is clear there is a common theme and a beautiful cohesiveness between each work.

Upon finishing the collection, I would surmise that it was Marquart’s intent to present Small Buried Things as a reflection of daily life, and I would say that in this it succeeds. Marquart writes of happy times, and some of the poems feel even carefree at times, yet she is not afraid of—nor is she apologetic in—looking into a lifetime’s darker moments and themes here and there.

All in all, it’s a small collection that is very comprehensive, relatable, and therefore easy to read. The book itself is well-made: No distracting, flashy text, simple and to the point, and well-bound and not flimsy in the least.

~ Jordan Dean Williams

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